I am using Dura-lar film matte surface as my substrate. It has just enough tooth to hold the graphite. It is difficult to get rich dark marks with pencils, however you can use other media to achieve that. This leads into why I love using this substrate. You can use multiple wet and dry media on the surface, like oils, gesso, and acrylics. I have not tried pastels, but I don’t see why it wouldn’t work. I look forward to experiment more with this surface and sharing my results.
Greetings everyone! Hope everyone is having a wonderful afternoon. I will be continuing the facial feature study from yesterday. Stop by and say hello on Twitch!
I started out doing comparative measuring. I held my hand out straight in front of me with a knitting needle between my index finger and thumb. I measured from the bottom of the neck to the top of the head. This would become my unit of measure that I would use to compare everything else on the figure.
After roughly calculating the height and width of the figure, I did an envelope or lay-in of the figure that consisted of 10 to 15 straight and diagonal lines. Subsequently, I did my best to locate common figure landmarks, like the shoulders, sternum, navel, indentation of the inside of the elbow, iliac crest, etc. I have found that the more skeletal/muscular surface anatomy you know the better you are able to narrow in on proportions and depict the surface of the figure better. I highly recommend Anthony Ryder’s “The Artist’s Complete Guide to Figure Drawing“. He has a chapter devoted solely to depicting surface anatomy.
I did not focus on one area to long, I spread my attention around the whole figure, jumping from one figure reference point to the next constantly comparing one surface mass to the other, again hoping to increase my accuracy.
In conclusion, I have to say that this one drawing pushed my patience, concentration, and knowledge of anatomy to new levels. I consider this drawing complete (tired of staring at it), but their always room for improvements.
I am finished with graphite and charcoal for a while. Switching to oils to do my sketches. So stay tuned for some gesture oil sketches. Really looking forward to doing those.
Comments, feedback are always welcome!
Tools used: Plum line, knitting needle, kneaded eraser, Mono Zero eraser, Creator Color Monolith graphite, Stonehenge 11 x 14 vellum finish paper.
This figure study took about 4 hours, over multiple sittings. I could have spent more time rendering the forms, but I normally devote only 4 hours for long studies. This reference gave me the opportunity to study light and shadow on the figure. This reference has a strong chiaroscuro effect and that is why I chose it as my study for today. I found that modeling forms within shadow can be quite difficult.
I really wanted to hunker down in the blocking stage , since I tend to rush through that stage and to later berate myself for getting the proportions all wrong. However, given the nature of the reference, I had to lay down some tone from the start, to establish separation between and within the forms. For example, the left forearms and upper chest.
Please let me know what you guys think.
Okay, onto the next!
Materials used: Graphite, Smooth Newsprint, and kneaded eraser.
Disclaimer: This is not an original work, but a copy of an Russian academic drawing used solely for education purposes.